Thursday, 7 April 2011

A better and more balanced film?





Today I am in a way paying tribute to the director Claude Chabrol, one of the legends of the French New Wave cinema. Jean-Luc Godard, Francois Truffaut and Claude Chabrol, to name but a few, are directors who were part of 'La Nouvelle Vague', an era in the 1950's to 1960's in which the French film industry flourished with young talent.


Unlikely sequel in development


Keanu Reeves has realised he is a very limited actor. Instead of challenging himself, he is going back to his roots - stoner comedy. The star of The Matrix has announced that writers are around six weeks away from a draft of the script for "Bill and Ted 3", MTV News said yesterday.


Wednesday, 6 April 2011

Children's Books of Adult Films

Artist Josh Cooley has taken scenes from adult films which may be too complicated to explain to children and drawn them as if they appeared in children's books.

Here's an explanation and some examples of his creativity from the blog Swipelife:

"Explaining adult themed movies to kids is a difficult task. Sometimes the most pivotal moments in the film are the ones you’d probably don’t want to explain to a child. Illustrator Josh Cooley takes these moments and gives them the kids story book treatment by drawing popular movie scenes with quotes as if they were from a page of a children’s book. Films such as Aliens, The Godfather, The Professional, and Terminator all get their place in Cooley’s book and are a lot of fun to look at. As Cooley states on his blog, the book will be available soon at Comic-Con and on his site. For more info visit his blog at "

http://swipelife.com/2010/05/21/inappropriate-golden-books-movies-r-fun-by-josh-cooley/

Alistair Anderson

Two Scoops



Take two scoops immediately and thereafter one teaspoon every few seconds. Since the beginning of Romantic movies the heroine has gone to ice cream as her choice of breakup comfort. Is this film imitating life or are we now so ingrained with the Hollywood ice cream image that life is in actual fact imitating film?

Let me create the scene: the guy has just broken the girl’s heart; she reaches for the trusty tub of ice cream and starts processing the emotional trauma one delicious spoonful at a time, while usually watching other Romantic movies. Is there any scientific reasoning for this? According to a recent study on the Brain’s pleasure zones ice cream shows an immediate response to pleasurable taste, meaning eating ice cream gives us pleasure, but surely so does eating most food?

Ice cream has become the symbol in movies for the grieving recently-dumped girlfriend. This is probably due to the fact that eating ice cream appears ‘prettier’ than say stuffing one’s face with a few hamburgers. Also audience members might start to feel uncomfortable if the heroin were to drown her sorrows in a bottle of Vodka. Yes, ice cream seems to be the more socially acceptable vice and has now become a movie staple food when dealing with troubles of the heart, but after reading some comments from soompi.com it’s clear that most women rather reach for the tissues than ice cream and find eating the creamy dessert mixed with tears unsettling. As Mythbusters might say, this myth is busted.

Local Director Gavin Hood Plans His Big Hollywood Comeback


After directing the awesome Tsotsi and then the not so awesome X-Men Origins: Wolverine, local boy Gavin Hood is plotting his big comeback via a film adaptation of one of the most revered sci-fi novels of all time.


The love hate relationship: films/movies




I urge you, watch Repo men (2010) and Push (2009) one after the other - a shock to the system. No real shock, no, the shock just entails a hopeless realization that there is a mountain range of insignificant movies that stretches through the American film industry. Fortunately we live in an age of digital storage; waste in this case.

Repo men is one of the many 'set in the near future' features, only this one has Jude Law playing a Jason Statham-like, brutal british guy who kills a lot of people in a blur of blood and 'emotions'. Watching this film you constantly try and remind yourself to pay attention to the film instead of making schematic connotations to other films. Push is just another effort to 'push' the now adolescent Dakota Fanning into the dictionary of 'emerging young actresses'. The schematic referencing was also done in bad taste, at least it's a bit more engaging if you try your best.

The meagre feeling after watching these movies in sequence only subsides when you remember the better films you have watched in the past, some even masterpieces. Then you let out a sigh of both relief and discontentment; you realize that for those 'films' you admire most there needs to be 'movies' that you detest as much. In other words on the mountain range, be it in America or South Africa, the films that enjoy the highest peaks need the base of the mountain merely as 'height enhancers'.

Tuesday, 5 April 2011

Actors who play themselves



Picture - flickr.com

On Sunday, I watched Less Than Zero for the first time. I first thought the film had dated a bit over the last twenty or so years but now I think it was not that good to start with.

The 80s hip hop music works well with the White yuppie characters, at least as a novelty. But what interested me more was Robert Downey Jr's performance.

He played a drug addict very well and received praise. But then again, he plays the addict-type well in a slew of films - Natural Born Killers, Less Than Zero, Iron Man I and II, Kiss Kiss Bang Bang, even in Sherlock Holmes.

He is famous for making it through stints of drug rehabilitation, which adds to my question; does he often play himself? Perhaps this does not matter. He's an entertaining character in public, given his televised interviews, so he can translate that to the screen and entertain viewers.

He isn't the only actor or actress to play themselves, I posit.

Ben Affleck is maybe more renowned for being Ben Affleck in every film he decides to show his smug mug in. I am being a bit hard on Ben though. I did enjoy some of his performances such as those in Mallrats, Good Will Hunting, State of Play and Boiler Room but there are, at most, two Afflecks. They are aggro-confident Affleck in Good Will Hunting and State of Play and very-agro-confident Affleck in Mallrats and Boiler Room.

This is not limited to men. Julia Roberts is often the woman in charge, while Sandra Bullock is, Sandra Bullock.

But I reckon Jack Nicholson is the king of people who play themselves. Jack does cranky and arrogant and mixes of the two and he's the master of both, which is why we keep watching his films.


So not everybody can play characters like Meryl Streep, Christian Bale, John C Reilly and Philip Seymour Hoffman can.

As long as they all come together, our films will be entertaining.

Alistair Anderson

Predictably Skimpy



We would like to believe that female superheroes have come along way since the 1996 adaptation of Barb Wire, where Pamela Anderson played a bounty hunter and wore a black leather corset outfit, but is this truly the case?.

After almost a decade female superheroes are still being typecast as glorified beauty queens who happen to have superpowers and an attitude. These so called superheroes are dressed as every teenage boy’s fantasy, in either black or red leather with the customary thigh high boots, i.e. Cat woman, Aeon Flux and Electra. In my opinion and according to the IMDb website ratings, female superhero movies deviating from the customary acrobatic sex symbols do quite well at the box office. For example Alice from Resident Evil, although very attractive is a bad ass female superhero who uses her martial arts skills to kill zombies and mutant dogs without the help of any tight fitting, boob revealing outfits.

Another one of my favorites is Hit girl from the movie Kick ass. An eleven year old superhero girl, no sexy outfits or seductively husky voice, just amazing gun wielding abilities and a vocabulary that would make most grown men blush. Female superhero movies could become just as popular a franchise as that of Spiderman and Batman if the focus moved away from their dangerous curves towards their dangerous abilities and attitudes.

The Graphic Novel, all set up, just add local 'nobody'



To start things off, I'll just begin by saying; I heart films. Okay, I watched Scott Pilgrim vs. the World this weekend, it shows. This got me thinking about the efficiency of the 'let's-recreate-the-graphic novel/comic book-into-a-film' -genre. So whats the whole deal? To list only a few of the graphic novels that have been adapted into the Hollywood hall: the award wining series of graphic novels by the Canadian Bryan Lee O'Malley, called Scott Pilgrim; a series of neo-noir graphic novels by Frank Miller, Sin city and the ten-issue dystopian graphic novel series written by Alan Moore and illustrated mostly by David Loyd, V for Vendetta . Why this need for 'The Graphic Novel' then ?



It has been said that 'The Graphic Novel' targets a largely adult market. It is also well known for its connection to an attached cult following. How then did Hollywood grab this only to make it their own? The beginning of this genre may be stretched back to Superman and his fellow Marvel Comics superheroes. Clearly different to these cape wearing do-gooders, the most recent adaptations of graphic novels has favoured the more cult based genres that focus on complex characters trying to work themselves out in their dystopian contexts. One is reminded of Batman's Bruce Wayne, but somehow Wayne doesn't make the cut - that is these days. It is as if the need for an all figured out do-gooder doesn't satisfy moviegoer's needs anymore; why oh why then and with what or rather 'who' have these 'olden day' heroes been replaced?


Scott Pilgrim is my feeling. Let's just say it again; Scott Pilgrim - what a guy. There might be others, I'll give them credit another day, but to say the least, comic book 'heroes' needn't be muscled, fast mouthed and as 'manly' anymore - this former criterion has been replaced by an image of 'the normal guy', if there is such a thing. One thing is clear though, the standard has been rearranged so as to allow everyone to set themselves in the shoes of the nevertheless outstanding lives of the graphic novel hero.

Director Of The Month April 2011: Paul Thomas Anderson


Welcome to the first of what will hopefully be a long running series where we do a monthly profile on a director who we consider to be one of the great masters of the art and craft of film making. The only qualifying criteria that must be met for a director to be considered is that he/she must have directed at least 3 feature length films. We will then review all of the chosen director's films and from there give our own verdict on whether or not they are indeed a master film maker or they're just simply brilliant peddlers of style over substance. So without further ado, we present to you our Director of the Month for April 2011, Paul Thomas Anderson.


Diamond certainly isn't here for a screenplay


Neil Diamond performed in Johannesburg the other day and is on his way to Durban and Cape Town. What does this have anything to do with movies? Well, of course Mr. Diamond has made a contribution to the film business at least once in his life. Hence The Jazz Singer, brought out in 1980 as an American musical remake of the 1927 classic.

Monday, 4 April 2011

Spiderman Reboot












By definition to reboot means to shut down and restart, which is exactly the case with The Amazing Spider-man. The new Spiderman movie, set to be released 3 July 2012, will consist of an entirety new cast and new director.


Heath Ledger would have turned 32 today


I could sing his praises for years to come which may annoy people. Actor, Heath Ledger died over three years ago and many in the film world, professionals and fans have moved on but today would have been his 32nd birthday so here's a happy birthday post from me to Mr Ledger.

New 'Green Lantern' Footage Takes Us to a Galaxy Far, Far Away


Over the last few days in San Francisco in the US there's been a big film convention happening called WonderCon. This is where many of this year's big budget films have been showcasing exclusive footage to audiences and industry members in order to generate some buzz in the run up to their respective release dates. Some of the films to have previewed some footage at this convention include Star Trek (2009) director J.J. Abram's Super 8 and Iron Man 1 & 2 director Jon Favreau's Cowboys & Alien's. Unfortunately for us, most the footage from these, and other films at the convention hasn't been released to the general public with the exception of a new extended trailer for the upcoming Green Lantern film.


Sunday, 6 March 2011

Nightdrive's driven producer - Susana Kennedy



ScreenForum's Alistair Anderson (AA) met with Susana Kennedy (SK), the producer of a new horror film with real undertones - Night Drive. An ex-cop joins a group of tourists on a night drive safari...